John is an Associate Artist at the Brockley Jack Studio Theatre, a member of the Space Arts Committee and jointly runs OutFox Productions.
As Director: Standing By (A New Musical) (University of Cumbria), Numbers Up (Write Now 7), Roleplay (Write Now 6), Without Reluctance and Without Relief (Ballast Theatre), Defiance (Script6), Antelopes and Misanthropes, Adam and The Probability of Love (The One Festival), Live With It and Cinderella Story (Write Now 5), Corpus Christi, Rope, Carbon Dating and Spring Awakening (all OutFox Productions).
John originally trained as an actor at East 15 Acting School and has appeared in numerous productions on stage and screen and can currently be heard voicing some promotional videos for crowdfunding publishers Unbound.
Kirsty’s previous work as producer includes: Corpus Christi, The Effect of Gamma Rays on Man-in-the-Moon Marigolds, Rope, Carbon Dating, Spring Awakening (for OutFox Productions), Titus Andronicus (for Smooth Faced Gentlemen), Seconds Out, The Benefit of Time, Afternoon Tea, Joy With Child and Jeffrey Bernard is Unwell (for Organised Chaos Productions), Burnt and Thrasher (for Conor McKee Productions), A Christmas Showcase (Sunshine Studios) and The Vagina Monologues (produced independently).
Direction work includes: She Stoops to Conquer and The Vagina Monologues (KDS).
Kirsty has also worked with the Stockport Garrick Theatre, Studio Salford, 24:7 Theatre Festival and completed the Stage One workshop for new producers.
Mary graduated from the University of Westminster where she studied Mixed Media Fine Art. She has worked on many theatre and visual arts shows in differing capacities, most recently Corpus Christi as Assistant Designer and The Effect of Gamma Rays on Man-in-the-Moon Marigolds as Set Constructor and Props Maker for OutFox Productions.
As an artist specialising in large scale interactive installation, she was in 51 (Ambika P3, Baker Street) and curator of Bobbie’s Show (London Gallery West).
Theatre credits included Set Designer and Builder for The Alchemist and The Rivals (Upstairs at the Gatehouse), Assistant Director for the tour of Macbeth (Icarus Theatre Collective) and Technical Manager for Rent (Spotlites).
William trained at The BRIT School for Performing Arts and Technology where he studied Theatre and then went on to Goldsmiths University where he specialised in lighting Graduating in 2010, he has gone on to design for a number of productions in different disciplines.
Design credits include:
Rich Isn’t Easy (Tristan Bates), The Ghost Train, Rope, Marigolds, Love Story, The Mystery of Irma Vep, The Haunting, Better Together (The Jack Studio Theatre), The Buffet (Soho Theatre), Early Days (Finborough Theatre), Iron (The Old Red Lion), Like Enemies of the State (New Diorama), Corpus Christi (The Space), Othello (Riverside Studios), Fosterling (Oval House Theatre) Julius Caesar (Saatchi Gallery), Private View (Theatre Delicatessen), Thisbe (The Vaults), Tim & Light (UK Tour), Sam Rose In the Shadows (UK Tour), Rime (UK Circus Theatre Tour), Knot (UK Circus Theatre Tour)
Other Credits include: The Furies (Kindle Theatre Company; The Vaults 2012, ACT Festival, Bilbao 2012, Short Theatre Festival, Rome 2013)
In 2013 William received an Off West End Awards nomination for Best Lighting Design for his work on The Mystery of Irma Vep.
Philip is a twice Offie-nominated sound designer and composer, whose recent work includes: Cornwall vs China (Vault Festival), The Hound Of The Baskervilles (Jack Studio Theatre), MacBeth (Karamel Club), Adding Machine: A Musical (Finborough Theatre), Dracula (Edinburgh & Kings Head Theatre), The Burnt Part Boys (Park Theatre), How To Date A Feminist (Arcola Theatre & tour), I'm Getting My Act Together... (Jermyn Street Theatre), Orphans (Southwark Playhouse), and Sea Life (Hope Theatre).
Associate work includes: Pig Farm (St James Theatre), King Lear (Cockpit Theatre) and Stevie (Hampstead Theatre).
Philip is also Head of Sound at Italia Conti, where his sound design credits include Company, Our Town, Made In Dagenham and Pornography.
Tweet him at @philmatejtschuk
Sound Designer/ Composer
Isabella Kimpton is originally from NY. This will be her second OutFox production after working with Kirsty on Orphans at the Southwark Playhouse.
Other theatre credits include: The Trackers of Oxyrhynchus (The Finborough Theatre), A Subject of Scandal and Concern (Finborough Theatre) Billy Connolly :Live From New York (37 Arts), Lee Evans (37 Arts), Lewis Black: Red, White and Screwed (Carnegie Hall), Escape From Bellevue (Village Theatre, Directed by Alex Timbers), Pogo & Evie: A Zydeco Musical (Directed by Aaron Latham, NY Fringe Festival), Time Et. Al (Metropolitan Opera, NY Fringe), Poe: A Musical (Metropolitan Opera), Jerry Herman's Showtune (St. Peter's Theatre), Scarlet Pimpernel, Smoky Joes Cafe, West Side Story, Funny Girl, Fiddler on the Roof, Forbidden Broadway, Annie Get Your Gun,Oklahoma, Kiss Me Kate (Gateway Playhouse) Spirit of the Dance, The Three Irish Tenors, Alice on Ice, Jekyll & Hyde, Ragtime, Jesus Christ Superstar, Miss Saigon, Footloose (Patchogue Theatre for the Performing Arts)